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Bhakti

Bhakti, derived from Sanskrit (भक्ति) and Pali (bhatti), is a term commonly used in Indian religions, encompassing concepts such as "attachment, participation, fondness for, homage, faith, love, devotion, worship, and purity". Within Indian religious contexts, it can denote loving devotion towards a personal God (such as Krishna or Devi), a formless ultimate reality (like Nirguna Brahman or the Sikh God), or an enlightened being (like a Buddha, a bodhisattva, or a guru). Bhakti often manifests as a profoundly emotional devotion rooted in the relationship between a devotee and the object of their devotion.

The term has early appearances in texts such as the Buddhist Theragatha and, in ancient scriptures like the Shvetashvatara Upanishad, signifies participation, devotion, and love for any pursuit. In the Bhagavad Gita, it represents one of the paths towards spirituality and moksha, referred to as bhakti marga.

Bhakti concepts have inspired numerous texts and saint-poets in India, with the Bhagavata Purana being an example associated with the Bhakti movement in Hinduism. Bhakti is not confined to Hinduism and has also influenced other religions practiced in India. Nirguni bhakti, emphasizing devotion to the divine without attributes, is present in Sikhism and Hinduism. Beyond India, emotional devotion is observed in some Southeast Asian and East Asian Buddhist traditions.

The term also denotes a movement initiated by the Tamil Alvars and Nayanars, focusing on gods such as Vishnu (Vaishnavism), Shiva (Shaivism), and Devi (Shaktism) in the latter part of the 1st millennium CE.

Devotional elements akin to bhakti have been integral to various world religions throughout history. Devotional practices are evident in Christianity, Islam, some branches of Buddhism, and Judaism.

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The goal of my Indian classical music courses is to teach you the basics of this wonderful art form. You will learn about the various Ragas, or modal scales, the Talas or rhythmic cycles, and the vocal and instrumental techniques used for improvisation in Indian classical music.

What makes my approach to teaching indian classical music so distinctive?

My teaching system is obviously unique and different from others and I think that learning music following the traditional Indian approach is the most effective method regardless of genre: pop, jazz, world fusion, electronic, whatever musical style you if you are interested, I guarantee that thanks to the Indian perspective, you will have an edge over all the other musicians.

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During my lessons I use a variety of techniques and exercises to learn to improvise and compose. What you will learn in my Indian classical music courses will be based on the concepts of modal scale and rhythmic cycle, i.e. Raga and Tala. You will also learn vocal and instrumental techniques which, although based on Indian musical theory, also find application in the Western musical system.

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My courses are aimed to all musicians of all levels, beginners, intermediate and advanced, offering different study materials and techniques from the usual Western standards. All those who want to learn to play Indian classical music are welcome and no previous knowledge or experience is necessary to get started. 

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