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Dakshina Bharatiya

South Indian music system also known as Carnatic.


Carnatic music, known as Karnāṭaka saṃgīta or Karnāṭaka saṅgītam in South Indian languages, represents a musical system closely associated with South India. This region includes the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala, and Tamil Nadu. Rooted in ancient Hindu texts and traditions, particularly the Samaveda, Carnatic music is one of the two primary subgenres of Indian classical music. The other subgenre, Hindustani music, emerged distinctly due to Persian or Islamic influences from Northern India. Carnatic music places a primary emphasis on vocal performance, with most compositions designed for singing. Even when played on instruments, these compositions are intended to be performed in the gāyaki (singing) style.Despite stylistic distinctions, both Carnatic and Hindustani music share fundamental elements such as śruti (relative musical pitch), svara (musical sound of a single note), rāga (melodic mode or formulæ), and tala (rhythmic cycles), forming the basis for improvisation and composition in both traditions. While improvisation is integral, Carnatic music primarily involves sung compositions, particularly the kriti (or kirtanam) form developed between the 14th and 20th centuries by composers like Purandara Dasa, Kanaka Dasa, and the Trinity of Carnatic music. Teaching and learning Carnatic music typically revolve around compositions. In its later developmental stage, Telugu prominently contributes to the evolution of Carnatic music. Most Carnatic compositions are in Telugu and Sanskrit, with some also in Tamil and Kannada.Carnatic music is typically performed by a small ensemble of musicians, featuring a principal performer (usually a vocalist), melodic accompaniment (typically a violin), rhythmic accompaniment (commonly a mridangam), and a tambura, providing a continuous drone throughout the performance. Other instruments often used in performances include the ghatam, kanjira, morsing, venu flute, veena, and chitraveena.


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The goal of my Indian classical music courses is to teach you the basics of this wonderful art form. You will learn about the various Ragas, or modal scales, the Talas or rhythmic cycles, and the vocal and instrumental techniques used for improvisation in Indian classical music.

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My teaching system is obviously unique and different from others and I think that learning music following the traditional Indian approach is the most effective method regardless of genre: pop, jazz, world fusion, electronic, whatever musical style you if you are interested, I guarantee that thanks to the Indian perspective, you will have an edge over all the other musicians.

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During my lessons I use a variety of techniques and exercises to learn to improvise and compose. What you will learn in my Indian classical music courses will be based on the concepts of modal scale and rhythmic cycle, i.e. Raga and Tala. You will also learn vocal and instrumental techniques which, although based on Indian musical theory, also find application in the Western musical system.

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My courses are aimed to all musicians of all levels, beginners, intermediate and advanced, offering different study materials and techniques from the usual Western standards. All those who want to learn to play Indian classical music are welcome and no previous knowledge or experience is necessary to get started. 

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