Gat
While the precise origin of the term remains somewhat unclear, Gat refers to an instrumental composition, setting it apart from Bandis, which specifically denotes a vocal composition. Some argue that Gat possesses a distinctive movement, but this doesn't imply fixed forms in other compositions, such as vocal ones like Dhrupada or Khayal.
Regardless, Gat signifies a melodic composition intricately connected to rhythm, employing the Varṇa and the Bola, exclusively designed for musical instruments. Generally, there are two types of compositions:
1. Masīdkhānī or Masitkhānī
2. Razakhānī or Rezākhānī
The first adheres to the slow and intermediate tempo characteristic of Khayal, while the second is associated with Tarānā, typically maintaining a high speed.
Similar to Khayal compositions, Gats feature three stanzas - Sthāyī, Antarā, and an intermediate one known as Māṁjhā or Māṁjā, serving the same purpose as the Sañcārī Tuk.
Gats in Percussion
Compositions dedicated to percussion are often referred to as Gat. For some, the Kāyadā (Qāedā) of a Ṭhekā is termed Gat, and occasionally, any composition featuring phrases for percussion, excluding Tihāī, is considered Gat.
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