Raga
Abhiri
Thaat
S g M P d n S
Vadi
S g M P d n S
Samvadi
S g M P d n S
Aroha
S g M P d n S
Avaroha
S g M P d n S
Time
S g M P d n S
Pakad
S g M P d n S
Description
Structure
Abhiri is classified as a hexatonic raga, meaning it consists of six notes. Its ascending (aroha) and descending (abaroh) scales are as follows:
Aroha: S g M P d n S
Abaroha: S n d P M g S
In this structure, the notes used include komala (flat) versions of Gandhara, Dhaivata, and Nishada, specifically noted as komala gandhara, komala dhaivata, and komala nisada1.
Historical Context
Abhiri has a rich history, being referenced in several ancient treatises such as the Gita Prakasa and Sangita Narayana. It has been used by numerous poet-composers over centuries, contributing to its depth and variety in performance1.
Notable Compositions
Some well-known compositions in Abhiri include:
Mita Ana Go by Benudhara
Kisori Go Tu Ta Nutana Bali by Benudhara
These pieces exemplify the raga's emotive capabilities and are often performed in Odissi dance16.
Instruments Used
In performances of Abhiri, traditional instruments such as the Mardala, Benu (a type of flute), Bina, and Khol are commonly employed to bring out its melodic nuances1.
Overall, Abhiri stands out as a vital component of Odissi music, reflecting the cultural richness and artistic heritage of Indian classical traditions.