Abhogi Bahar

Abhogi Bahar.

Based on my research, I found that "Abhogi Bahar" is listed among the ragas in Hindustani classical music, but there's limited specific information about it as a distinct combined form.

Abhogi Bahar appears to be a fusion of two distinct indian classical ragas: Abhogi (also called Abhogi Kanada) and Bahar. 

Raga Abhogi (Abhogi Kanada)

• Classified as an audav raga—a pentatonic scale containing only five notes

• Rooted in the Kanada tradition, evident particularly in the poorvang (lower register) movements

• Bears resemblance to "Darbari without Pa/Ni" or "Bageshri's aroha without ni"

• Evokes a profound, contemplative atmosphere and can be developed across all three octaves

Characteristics:

• Originally from Carnatic music, relatively recently incorporated into Hindustani classical

• The sparse uttarang (upper register), which contains only Dha, creates unique creative challenges for performers

• Performance time: Evening to early night hours (approximately 9 PM to midnight)

Raga Bahar

Musical Identity:

• A seasonal raga strongly associated with spring

• The name "Bahar" derives from the Persian word meaning "spring"

• Characterized by shringara rasa (romantic sentiment), reflecting the essence of springtime

• Belongs to the Kafi thaat family

Performance Context:

• Typically performed during midnight hours, though it can be sung anytime during spring season

• Described as cheerful and playful, embodying the joyous spirit of spring

• Often combined with other ragas because it provides contrast, breaking monotony and offering emotional duality