Raga
Adarangi Todi
Thaat
Vadi
Samvadi
Aroha
Avaroha
Time
Pakad
Description
Adarangi Todi is a distinctive Hindustani raga characterized by its unique scale and emotional depth. It is a variant of the traditional Todi raga, particularly notable for its double-ma (M) and double-ni (N) notes. This raga is linked to the 18th-century composers Naimat Khan 'Sadarang' and his nephew Feroze Khan 'Adarang' and is also referred to as Turki Todi37.
Scale and Structure
The scale for Adarangi Todi is structured as follows:
Arohana (ascending scale): S r g M P d n N S'
Avarohana (descending scale): S' n d P M g r S
This scale showcases the use of both the komal (flat) and shuddha (natural) versions of certain notes, which adds to its complexity and emotional range3.
Emotional Expression
Adarangi Todi encapsulates a wide array of sentiments, ranging from joy to melancholy. The interplay between the komal rishab (r) and komal gandhar (g) is particularly significant, creating a captivating tension often referred to as the "Todi effect." This effect arises from the gradual transition between these two notes, evoking a sense of unease that is both beautiful and profound12.
Performance Context
This raga is often performed in various forms, including vocal renditions and instrumental interpretations. It has been popularized by renowned musicians, contributing to its rich legacy within Hindustani classical music. The intricate melodic patterns and emotional depth make it a favorite among performers and listeners alike34.
In summary, Adarangi Todi stands out as a complex and emotionally resonant raga in Hindustani music, embodying the rich cultural heritage of Indian classical traditions.